[fullwidth background_color=”#0195a1″ background_image=”” background_parallax=”none” enable_mobile=”no” parallax_speed=”0.3″ background_repeat=”no-repeat” background_position=”left top” video_url=”” video_aspect_ratio=”16:9″ video_webm=”” video_mp4=”” video_ogv=”” video_preview_image=”” overlay_color=”” overlay_opacity=”0.5″ video_mute=”yes” video_loop=”yes” fade=”no” border_size=”0px” border_color=”” border_style=”solid” padding_top=”20″ padding_bottom=”0″ padding_left=”40″ padding_right=”40″ hundred_percent=”no” equal_height_columns=”no” hide_on_mobile=”no” menu_anchor=”” class=”kw” id=””][one_full last=”yes” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ animation_offset=”” class=”” id=””][title size=”1″ content_align=”left” style_type=”none” sep_color=”” margin_top=”” margin_bottom=”” class=”” id=””]Sobre KW[/title][separator style_type=”none” top_margin=”” bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”” class=”” id=””][fusion_text] O mundo deste concerto vive da diversidade musical de Weill e dessa viagem, ou fuga, que foi a sua vida e obra. Percorre os três países e idiomas que Weill abraçou como seus, não foge à inerente teatralização de que vivem os seus temas, repensa as suas dissonâncias, ilumina a realidade desses temas e das suas histórias recriando no seu mundo a nossa verdade sonora e emocional.
Protagonizado pela voz segura e surpreendente de Adriana Queiroz, ancorado nos arranjos de Filipe Raposo , servido na perfeição pelo trabalho de Luís Madureira e pelos figurinos de José António Tenente, ou pelo subtil trabalho de luzes de Helena Gonçalves e Pedro Mendes, KW | Kurt Weill devolve-nos a um tempo o génio musical do compositor e a teatralidade que irrompe do seu trabalho.
Concebido como uma viagem por mais de trinta anos de composição e pelos três países onde Kurt Weill viveu a sua vida — com um cometimento e um desejo de conhecimento que o levou, nas palavras de Langston Hughes, a ser um compositor alemão em Berlim, francês em Paris e americano em Nova Iorque — KW | Kurt Weill vive efectivamente das memórias teatrais que cada obra transporta consigo. De Ascensão e Queda da Cidade de Mahagony, de 1927, da qual ouvimos o eterno Alabama Song, até Lost in the Stars, de 1949, quando Weill contribuía largamente para o período de ouro do music-hall americano, passando pela Ópera dos Três Vinténs ou por Happy End e pela imortal canção Surabaya Johnny, cada um dos temas transporta consigo um universo que Adriana Queiroz, tão actriz como cantora, tão bailarina como actriz, reinterpreta com intensidade e subtileza, apoiada na ductilidade dos músicos e no dramatismo dos figurinos de José António Tenente.
A expressividade e o poder de uma orquestra com mais de vinte elementos, a subtileza com que Adriana Queiroz nos comunica cada canção, quase desenhada numa micro-encenação, o universo apaixonante de Kurt Weill e o seu lirismo corajoso, quase jactante: três argumentos para uma noite perfeita.
José Luís Ferreira
KW
A viagem que começou, numa conversa minha com o Maestro César Viana, pelo diversificado universo musical deste compositor que tendo como influências Mahler, Stravinsky e Schoenberg, tem um enorme gosto pelo teatro musical e o jazz, a ópera e o teatro épico, retoma agora a sua viagem pelas mãos do pianista e orquestrador Filipe Raposo.
A obra vastíssima e cheia de contrastes que nos deixou associa todos estes géneros com a tradição musical de cada país por onde passou. Como disse o poeta negro Langston Hughes “(…) se ele tivesse partido para a Índia teria composto musica indiana notável … É por isto que a Alemanha pode considerar Weill um compositor alemão, a França como francês, a América como americano, e eu como um negro.”
É nesta diversidade musical de Weill e nesta viagem/fuga que foi a sua vida e obra que vive o mundo deste concerto. Percorrer os 3 países e idiomas que Weill abraçou como seus, não fugir à inerente teatralização de que vivem os seus temas, repensar as suas dissonâncias, iluminar a realidade destes temas e das suas histórias criando a nossa verdade sonora e emocional no seu mundo.
Percorreremos no período alemão de Kurt Weill temas de “Aufstieg und Fall der stadt Mahagonny”, “Der Dreigroschenoper” e “Happy End” todos escritos em parceria com Bertolt Brecht. No período francês “Marie Galante” em parceria com Roger Fernay e Jacques Deval e algumas canções com letras de Maurice Magre. No período americano o universo de “One touch of Venus” (Odgen Nash), “Lost in the stars” (Maxwell Anderson) e “Lady in the dark” (Moss Hart e Ira Gershwin).[/fusion_text][/one_full][/fullwidth][fullwidth background_color=”” background_image=”http://adriana-queiroz.com/wp-content/uploads/2016/02/kw-new2-1024×826.jpg” background_parallax=”none” enable_mobile=”no” parallax_speed=”0.3″ background_repeat=”no-repeat” background_position=”center top” video_url=”” video_aspect_ratio=”16:9″ video_webm=”” video_mp4=”” video_ogv=”” video_preview_image=”” overlay_color=”” overlay_opacity=”0.5″ video_mute=”yes” video_loop=”yes” fade=”no” border_size=”0px” border_color=”” border_style=”solid” padding_top=”20″ padding_bottom=”550px” padding_left=”40″ padding_right=”40″ hundred_percent=”no” equal_height_columns=”no” hide_on_mobile=”no” menu_anchor=”” class=”kw” id=””][one_full last=”yes” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ animation_offset=”” class=”” id=””][title size=”2″ content_align=”left” style_type=”none” sep_color=”” margin_top=”” margin_bottom=”” class=”” id=””]Repertório[/title][separator style_type=”none” top_margin=”” bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”” class=”” id=””][/one_full][one_half last=”no” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”solid” padding=”” margin_top=”” margin_bottom=”” animation_type=”0″ animation_direction=”down” animation_speed=”0.1″ animation_offset=”” class=”font12″ id=””][fusion_text]
| Alabama Song | KURT WEILL |
| BERTOLT BRECHT | |
| Der Bilbao Song | KURT WEILL |
| BERTOLT BRECHT | |
| Der Song von Mandelay | KURT WEILL |
| BERTOLT BRECHT | |
| Das Lied von Surabaya Johnny | KURT WEILL |
| BERTOLT BRECHT | |
| Zuhälter-Ballade | KURT WEILL |
| BERTOLT BRECHT | |
| Youkali | KURT WEILL |
| ROGER FERNAY | |
| J’attends un Navire | KURT WEILL |
| JACQUES DUVAL | |
| Complainte de la Seine | KURT WEILL |
| MAURICE MAGRE | |
| Buddy on the Nightshift | KURT WEILL |
| OSCAR HAMMERSTEIN | |
| Speak Low | KURT WEILL |
| OGDEN NASH | |
| I’m a Stranger here myself | KURT WEILL |
| OGDEN NASH | |
| Lost in the Stars | KURT WEILL |
| MAXWELL ANDERSON | |
| Die Moritat von Mackie Messer | KURT WEILL |
| BERTOLT BRECHT |
[/fusion_text][/one_half][one_half last=”yes” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”solid” padding=”” margin_top=”” margin_bottom=”” animation_type=”0″ animation_direction=”down” animation_speed=”0.1″ animation_offset=”” class=”font12″ id=””][/one_half][one_full last=”yes” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”solid” padding=”” margin_top=”100″ margin_bottom=”” animation_type=”0″ animation_direction=”down” animation_speed=”0.1″ animation_offset=”” class=”kw” id=””][title size=”2″ content_align=”left” style_type=”none” sep_color=”” margin_top=”” margin_bottom=”” class=”” id=””]Ficha Artística[/title][separator style_type=”none” top_margin=”” bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”” class=”” id=””][/one_full][one_half last=”no” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”solid” padding=”” margin_top=”” margin_bottom=”” animation_type=”0″ animation_direction=”down” animation_speed=”0.1″ animation_offset=”” class=”font12″ id=””][fusion_text]
| concepção e voz | ADRIANA QUEIROZ |
| arranjos | FILIPE RAPOSO |
| apoio vocal | LUÍS MADUREIRA |
| figurinos | JOSÉ ANTÓNIO TENENTE |
| desenho de luz | HELENA GONÇALVES E PEDRO MENDES |
| produção | PRODUÇÕES ADRIANA QUEIROZ |
[/fusion_text][/one_half][one_half last=”yes” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”solid” padding=”” margin_top=”” margin_bottom=”” animation_type=”0″ animation_direction=”down” animation_speed=”0.1″ animation_offset=”” class=”font12″ id=””][/one_half][/fullwidth][fullwidth background_color=”” background_image=”” background_parallax=”none” enable_mobile=”no” parallax_speed=”0.3″ background_repeat=”no-repeat” background_position=”left top” video_url=”” video_aspect_ratio=”16:9″ video_webm=”” video_mp4=”” video_ogv=”” video_preview_image=”” overlay_color=”” overlay_opacity=”0.5″ video_mute=”yes” video_loop=”yes” fade=”no” border_size=”0px” border_color=”” border_style=”solid” padding_top=”60″ padding_bottom=”20″ padding_left=”40″ padding_right=”40″ hundred_percent=”no” equal_height_columns=”no” hide_on_mobile=”no” menu_anchor=”” class=”kw” id=””][title size=”2″ content_align=”left” style_type=”none” sep_color=”” margin_top=”” margin_bottom=”” class=”” id=””]Vídeos[/title][separator style_type=”none” top_margin=”” bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”” class=”” id=””][one_fourth last=”no” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ animation_offset=”” class=”” id=””][youtube id=”UeiCLfKi0YI” width=”600″ height=”350″ autoplay=”no” api_params=”” class=””][/youtube][/one_fourth][one_fourth last=”no” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ animation_offset=”” class=”” id=””][youtube id=”ASp8P1ENUdw” width=”600″ height=”350″ autoplay=”no” api_params=”” class=””][/youtube][/one_fourth][one_fourth last=”no” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ animation_offset=”” class=”” id=””][/one_fourth][one_fourth last=”yes” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ animation_offset=”” class=”” id=””][/one_fourth][/fullwidth][fullwidth background_color=”” background_image=”” background_parallax=”none” enable_mobile=”no” parallax_speed=”0.3″ background_repeat=”no-repeat” background_position=”left top” video_url=”” video_aspect_ratio=”16:9″ video_webm=”” video_mp4=”” video_ogv=”” video_preview_image=”” overlay_color=”” overlay_opacity=”0.5″ video_mute=”yes” video_loop=”yes” fade=”no” border_size=”0px” border_color=”” border_style=”solid” padding_top=”60″ padding_bottom=”20″ padding_left=”40″ padding_right=”40″ hundred_percent=”no” equal_height_columns=”no” hide_on_mobile=”no” menu_anchor=”” class=”kw press” id=””][title size=”2″ content_align=”left” style_type=”none” sep_color=”” margin_top=”” margin_bottom=”” class=”” id=””]Press[/title][separator style_type=”none” top_margin=”” bottom_margin=”” sep_color=”” border_size=”” icon=”” icon_circle=”” icon_circle_color=”” width=”” alignment=”” class=”” id=””][one_fourth last=”no” spacing=”yes” center_content=”no” hide_on_mobile=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” hover_type=”none” link=”” border_position=”all” border_size=”0px” border_color=”” border_style=”” padding=”” margin_top=”” margin_bottom=”” animation_type=”” animation_direction=”” animation_speed=”0.1″ animation_offset=”” class=”” id=””][imageframe lightbox=”no” gallery_id=”” lightbox_image=”” style_type=”none” hover_type=”none” bordercolor=”” bordersize=”0px” borderradius=”0″ stylecolor=”” align=”none” link=”http://adriana-queiroz.com/wp-content/uploads/2016/03/press_agendalx_27.pdf” linktarget=”_blank” animation_type=”0″ animation_direction=”down” animation_speed=”0.1″ animation_offset=”” hide_on_mobile=”no” class=”” id=””] 
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